Robert MacFarlane on Twitter:
Word(s) of the day: mångata" - shimmering path of silver light laid down by the moon on water (Swedish - lit. moon-street, moon-road)
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"Fernando Pessoa is an infinte solar system, made up of clusters of plaanets near and far, many of them still unexplored, or unknown. His life was a continuous self-dividing into new worlds, which he experiences as a frustrating inability to complete his works. In an autobiographical text written in English he confessed:
"My writings were none of them finished; new thoughts intruded ever, extrordinary, inexcludeable associations of ideas bearing infinity for term. I cannot prevent my thought's hatred of finishing."
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In The Savage Mind (1962), the French anthropologist Claude Levi-Strauss used the word bricolage to describe the characteristic patterns of mythological thought. Bricolage is the skill of using whatever is at hand and recombining them to create something new. [link]
After the earthquake of 1755 rubble from the destroyed building was used as infill, the engineers and architech's developed a technique they named Pamblaino after the ‘Marquês de Pombal’ [link]
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Fenêtre à Tanger, Matisse 1912
The photo above was taken by French photographer Bernard Moutin from the sameroom and window that Henri Matisse occupied when he painted the WIndow at Tangier.
Window at Tangier by Henri Matisse (1912 - The Pushkin Museum of Fine Arts, Moscow); also referred to as La Fenêtre à Tanger, Paysage vu d'une fenêtre, and Landscape viewed from a window, Tangiers.
An example of Matisse's paintings after the colorful revolution of his Fauvism period. After several trips outside France Matisse became interested in the Islamic art of North Africa. He visited Morocco in 1912 and 1913. Window in Tangier, with its bold color and flat perspective reflects a Moroccan influence in Matisse's work.
This was among several works acquired directly from Matisse in Paris by the Russian collector Ivan Morozov. After the Russian Revolution the Morozov collection was confiscated and eventually by 1948 the collection was donated to the public along with the Sergei Shchukin collection, at the Pushkin Museum of Fine Arts in Moscow and the Hermitage in St Petersburg.