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I am not one to make recommendations for places that you may or may not enjoy, however my philosophy is walking and wandering the streets will bring you unknown treasures.

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Boa Hora Early Evening

Churros make a fine welcome gift to Lisboa. Hot and sugary.

Lake Washington

Lunch Spot December 2014

Chthonic

1 min read

Chthonic (UK: /ˈkθɒnɪk/US: /ˈθɒnɪk/ from Greek χθόνιος khthonios [kʰtʰónios], "in, under, or beneath the earth", from χθών khthōn "earth")  literally means "subterranean", but the word in English describes deities or spirits of the underworld, especially in Greek religion. The Greek word khthon is one of several for "earth"; it typically refers to that which is under the earth, rather than the living surface of the land (as Gaia or Ge does), or the land as territory (as khora (χώρα) does

Antinomy

1 min read

 Antinomy

an·tin·o·myanˈtinəmē/nounplural noun: antinomies

  1. a contradiction between two beliefs or conclusions that are in themselves reasonable; a paradox.

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caesuras

1 min read

cae·su·rasēˈzyo͝orə,siˈZHo͞orə/nounplural noun: caesuras

  1. (in Greek and Latin verse) a break between words within a metrical foot.
    • (in modern verse) a pause near the middle of a line.
    • any interruption or break."an unaccountable caesura: no deaths were reported in the newspapers"

Mutual Materials Hardscaping

Variety of hardscaping materials available at Mutual  Materials 

Native Americans force settlers to leave Whidbey Island in August 1848. - HistoryLink.org

Excerpt Via History Link:

Whidbey Island

During the spring 1848, Thomas W. Glasgow, after exploring Puget Sound in a canoe, chose a farm site on Whidbey Island, erected a cabin, and planted potatoes, peas, and wheat. Glasgow took an Indian wife, whom he called Julia Pat-Ke-Nim, for companionship and to insure his safety from nearby Indians. After getting established, Glasgow traveled to Tumwater to convince others to join him on fertile Whidbey Island. Antonio B. Rabbeson and A. D. Carnefix agreed to settle on the island. They made the journey by canoe, the only mode of travel around Puget Sound except for an occasional Hudson's Bay Company ship.

On the journey, the three men took turns cooking and carrying out other camp duties. On the day it was Carnefix’s turn, an Indian stopped at the camp. The man assumed that Carnefix was a slave, since he was performing duties that an Indian slave would perform, and made an offer to Glasgow and Rabbeson to purchase him. The misunderstanding was quickly cleared up, but apparently Glasgow and Rabbeson ribbed Carnefix about it and he took offense, quit the group, and returned to Tumwater. The remaining two men continued on and reached Glasgow's cabin on the west side of Whidbey Island near Penn's Cove in July 1848. Penn's Cove is about 48 miles north of Seattle.

The Hunt

In August, Indians representing every Puget Sound tribe, including the Chehalis, Nisqually, Duwamish, Snoqualmie, and Snohomish, arrived and set up camp at Penn’s Cove on the east side of Whidbey Island near where Glasgow and Rabbeson where located. Within a three-mile radius of the two men’s cabin, there were, in Rabbeson's words, “about eight thousand of these wild men.” Although Rabbeson probably exaggerated, the sight of the immense throng of Indians must have been an impressive one.

History Link

More information on Chief Patkanim

View from Sunshine Lane

1 min read

 The wetland view from Sunshine Lane,  from west to east.

Via: Audubon.Com

Deer Lagoon, the most extensive estuarine marsh on Whidbey Island, is located near the island's south end, on the north shore of Useless Bay. The site includes an open lagoon with dikes on both east and west, and an open channel to salt water. The substrate is sand, silt, and mud. Most of the lagoon and surrounding uplands are privately owned, and public access is prohibited.

Deer Lagoon estuary covers 950 acres It consists of freshwater marsh, open water lagoon, mudflats and salt marsh.

The Weird Thoreau | Area X Trilogy

Good review of a most excellent book.

My Own Private Area X

Pratītyasamutpāda - Wikipedia

Pratītyasamutpāda (Sanskritप्रतीत्यसमुत्पादPaliपटिच्चसमुप्पाद paṭiccasamuppāda), commonly translated as dependent origination, or dependent arising, states that all dharmas ("things") arise in dependence upon other dharmas: "if this exists, that exists; if this ceases to exist, that also ceases to exist." The principle is applied in the twelve links of dependent origination doctrine in Buddhism, which describes the chain of causes which result in rebirth and dukkha. By breaking the chain, liberation from this endless cycles of rebirth and dukkha can be attained.[1] Everything except nirvana (nibbana) are the consequence of Pratītyasamutpāda, asserts Buddhism. This principle complements its teachings of anicca and anatta.[2]

“club effect” & gentrification

2 min read

taken from : Tidy Words & the End of the World: LeRoi Jones Reads a New Yorker Poem

In the creative city model, culture is used to increase value, be it symbolically through images or materialized. In this context, Zukin (1990) refers to “real cultural capital,” meaning spatially linked cultural capital, which becomes a reason for real investments (p. 38). As Bernt & Holm (2005) state, the cultural capital (of artists) becomes objectified and transfers onto certain places; this, in turn, makes access to it easier, as it can be consumed by anyone who enters this space. Ley (2003) examines gentrification processes and how the high level of cultural capital of artists increases the symbolic value of an area and leads to “followers” (other professionals with high levels of cultural, but also economic, capital) coming into a neighbourhood. He uses Bourdieu‟s notions of cultural and economic capital and finds that both of these concepts help to explain gentrification. [ . . . ]

Bourdieu (1999) also describes the “club effect” as a process that excludes according to economic, cultural, and also social capital. Select spaces acquire social and symbolic capital based upon “people and things which are different from the vast majority and have in common … the fact that they exclude everyone who does not present all the desired attributes …” (p. 129). This “club effect” shows that consequences like segregation and symbolic violence can result from a policy that “favors the construction of homogeneous groups on a spatial basis” (p. 129) This can be connected to the creative city concept, in which arts and culture function as enablers for a creative urban milieu, in turn enhancing the city economically and often resulting in gentrification. Artists or “creatives” play an important role here and can be seen as pioneers of gentrification, as they give their cultural capital to a certain district or space. As Bernt & Holm (2005) describe, gentrified spaces become more and more general, losing the specific characteristics that enabled their cultural distinctiveness.

link to Creative Cities and (Un)Sustainability: From Creative Class to Sustainable Creative Cities  by Sacha Kagan Julia Hahn