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From Wikipedia:

Anomie (/ˈænəˌmi/) is "the condition in which society provides little moral guidance to individuals".  Anomie may evolve from conflict of belief systems  and causes breakdown of social bonds between an individual and the community (both economic and primary socialization). In a person this can progress into a dysfunction in ability to integrate within normative situations of their social world - e.g., an unruly personal scenario that results in fragmentation of social identity and rejection of values

Anomie In literature, film, and theatre 

In Albert Camus's existentialist novel The Stranger, the bored, alienated protagonist Meursault struggles to construct an individual system of values as he responds to the disappearance of the old. He exists largely in a state of anomie,^[21] as seen from the apathy evinced in the opening lines: "Aujourd’hui, maman est morte. Ou peut-être hier, je ne sais pas" ("Today mum died. Or maybe yesterday, I don't know").

Fyodor Dostoyevsky expressed a similar concern about anomie in his novel The Brothers Karamazov. The Grand Inquisitor remarks that in the absence of God and immortal life, everything would be lawful.  In other words, that any act becomes thinkable, that there is no moral compass, which leads to apathy and detachment.

From Benjamin Bratton

It is impossible for any serious person not to see parallels between the inadequate governing responses to both the coronavirus crisis and climate change. Where effective planetary-scale planning and governance should reside, there is instead a screeching void. The various national and regional Green New Deals all imply a shift in the role of governance. Instead of just reflecting the general will, governance is now also the direct management of ecosystems (inclusive of human society)

Just look at the supporting artists on this track:

• Bass – Robbie Shakespeare
• Bata, Bells – Daniel Ponce
• Drum Programming – Nicky Skopelitis
• Drums [Simmons Drums] – Sly Dunbar
• Guitar, Bass – Bootsy Collins
• Mastered By – Howie Weinberg
• Piano – Herbie Hancock
• Producer – Bill Laswell
• Production Manager – Michael Knuth
• Recorded By [Recording Assistant] – Peter Sturge
• Recorded By, Mixed By – Bob Musso
• Saxophone, Vocals – Manu Dibango
• Synthesizer – Bernie Worrell
• Turntables – D. ST

This  represents some of the finest musicians of the 80's, a time often belittled by critics.

God Bless Manu Dibango taken by the COVID-19 virus. His musical legacy blesses all of us.